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M67 Open Cluster – 6 Inch Newt at F/8, (1200 mm Focal Length)

M67 Open Cluster. Orion 6 inch, F/8 and RT Sony IMX224 eyepiece camera. 201 x 2 sec at gain 2650.  Up-scaled 200% in processing.

I purchased some rings and an extra-long dovetail bar for my Orion 6 inch, F/8 dobsonian and mounted it on the Atlas EQ-G.   It has a really narrow view with a Sony IMX224 chip camera, but its sharp and there was not much distortion throughout the entire field.

The newt lets you shoot with no filters and you pick up everything, including IR, with the standard clear filter that Rising Tech cameras ship with.    That’s great for galaxies.    Although this first test shot was not a galaxy, I hope to try it out on some, soon.

The rig is sensitive to balance and wind being the tube is so long and is also very sensitive to vibrations.   Since I was imaging next to a busy parking lot, I noticed lots of rejected frames in the SharpCap stacking program when the activity there increased.  Even loud noises would disturb it.   LoL.

Although conditions were not the best and the red zone light pollution I imaged through kept me from getting really deep, I did manage to do a few test shots before conditions deteriorated,

The above image was actually the second shot of the night, the first one being this unknown star field below that I shot to test the tracking.  It was a little difficult to dial-in a star to get a 3-star alignment on the mount, so I just went with seeing how long I could track with PHD2 Guiding at the same old settings I used with the TV-85 on a random star field.    8 sec exposures yielded too many rejected frames, so I went with 4 sec for this one.

Unknown star field. 70×4 sec @ Gain 2067, RT Sony IMX224 cam, 6″, F/8 newt, Atlas EQ-G w/EQMOD, PHD2 guiding w/Orion Ultra-mini and StarShoot.

Before the clouds came back and ruined my session, I was able to get 60×4 sec sub-images at the relatively high gain of 3108 of this open cluster in Gemini, called IC 2157:

IC 2157. 60×4 sec @ 3108 gain, RT Sony IMX224, 6 inch, F/8 Newt, Atlas EQ-G w/EQMOD.

Anyway, if I can get the tracking to get me up to 8 seconds of exposure, I will be able to shoot some of those tiny galaxies that my Televue TV-85 just can’t do justice to.

M35 and NGC 2158 Mosaic – Sony IMX224

M35 and NGC 2158 2-panel mosaic. Right half was taken on Dec 11, 2017. 275×8 sec and the left half was taken on Dec 13, 2017, 100×20 sec at 2098 and 1832 gain, respectively. Rising Tech Sony IMX224 cam with a Televue TV-85 at F/5.6.

As promised, here is the 2-panel mosaic of the M35/NGC 2158 area.    Not too bad, but the seeing for Dec 11 was poor and I might re-shoot the NGC 2158 side to get a better rendition.

Here’s the gaudy version that I turned up the contrast on with a strong curves boost:

M35 and NGC 2158 2-panel mosaic. Curves to boost contrast.

NGC 891 (2nd Try) – Sony IMX224

NGC 891 on Dec 12, 2017. 60×20 sec @ 1832 Gain, RT Sony IMX224, TV-85 at F/5.6, SharpCap 2.9.

This version of the Outer Limits Galaxy came out better than my first go of it with the Rising Tech IMX224 cam, even though it seems to be slightly out of focus.    I bet I will be trying again soon, since I think it could be better with the right exposure/gain, location and of course, better focus.   🙂

Horse Head Nebula – Sony IMX224

Horse Head Nebula. 242×20 sec @ 1834 Gain, RT Sony IMX224, Televue TV-85 at F/5.6, SharpCap 2.9.

More EAA fun with the Sony IMX224-based camera.  This was taken during the nightime of Dec 12/13, 2017.  The final version here has over 80 minutes of data.  It was acquired in a high LP environment with no filters on the camera except for the UV/IR cutoff.

I need to get a UHC filter for it, but as you can see, I might do good to use none just to get the base colors and use the UHC just for extra nebulosity, only.

M51 Spiral Galaxy – Sony IMX224

M51 Spiral Galaxy on 12/13/2017. 81×20 sec @ 1832 Gain, Rising Tech Sony IMX224, Televue TV-85, SharpCap 2.9.

Here’s an object I’ve been itching to shoot with the RT IMX224 cam.   This is only 27 minutes worth of 20 sec exposures!    🙂

I think that between 500 and 1000 subs would really be what this object needs with this setup.     In the meantime, I put the above image together with 25 minutes of DSLR camera data taken with the same scope.   Check it out:

M51 – 27 minutes IMX224 and 25 minutes with a DSLR (at a dark site) combined.

The Dumbbell Nebula – Sony IMX224

M27, The Dumbbell Nebula. 97×8 sec @ Gain 2098, RT IMX224, TV-85 at F/5.6, Sharpcap 2.9.

I rushed to setup and shoot this one before it went behind a tree.  It was only 97 frames at 8 seconds for a total of about 13 minutes.   But, I love  how it turned out with this Sony IMX224 camera.  It looks as good as or better than most of my DSLR shots of the same object.

It looks even better if I combine the two cameras’ datasets into one image to get the best of both:

M27 IMX224 data combined with 48 minutes (24×120 sec @ ISO 1600) of DSLR data taken with the same telescope.

Owl Nebula – Sony IMX224

The Owl Nebula. 5×300 sec @ 100 Gain, RT Sony IMX224, Televue TV-85 at F/5.6, Sharpcap 2.9.

I tried long exposures with no gain and no darks using the Rising Tech Sony IMX224 eyepiece/guider cam to image the Owl Nebula, recently.  I was using it like I would one of my Canon DSLR cameras with long exposures at low ISO when shooting in bad LP conditions.

Hot pixels were worse than I thought, so I had to do some aggressive noise reduction.   Next time, I will definitely use darks based on this experience.  The camera has low read noise, but not low hot pixels with exposures this long.