I had a little trouble with streetlights and two satellite trails for this shot, but I salvaged what I could.   I like the way the 3 minute sub-images are working out, though, now that I’ve tuned the guiding to get usable subs at that exposure setting.   That exposure seems to be the sweet-spot for this camera and filter combo at my location.

Below is the image above, but with data add in from my last imaging session of it from a full moon night on Halloween, 2020.   I like the way the portrait and landscape versions had diffraction spikes at 90 degrees to each other: