
My last two sessions of Omega Centauri were combined and reworked into one image and here are the results. Both sets were taken with my TV-85. One set was taken from a dark sky site and the other was taken from an LP polluted site during moonlight.

My last two sessions of Omega Centauri were combined and reworked into one image and here are the results. Both sets were taken with my TV-85. One set was taken from a dark sky site and the other was taken from an LP polluted site during moonlight.

Here are two globular clusters, M13 and M4, that I took with an Orion 6 inch F/8 newt and a Rising Tech Sony IMX224 eyepiece cam.

I reworked the first M13 image and tried for better color. Here’s what I got:


I purchased some rings and an extra-long dovetail bar for my Orion 6 inch, F/8 dobsonian and mounted it on the Atlas EQ-G. It has a really narrow view with a Sony IMX224 chip camera, but its sharp and there was not much distortion throughout the entire field.
The newt lets you shoot with no filters and you pick up everything, including IR, with the standard clear filter that Rising Tech cameras ship with. That’s great for galaxies. Although this first test shot was not a galaxy, I hope to try it out on some, soon.
The rig is sensitive to balance and wind being the tube is so long and is also very sensitive to vibrations. Since I was imaging next to a busy parking lot, I noticed lots of rejected frames in the SharpCap stacking program when the activity there increased. Even loud noises would disturb it. LoL.
Although conditions were not the best and the red zone light pollution I imaged through kept me from getting really deep, I did manage to do a few test shots before conditions deteriorated,
The above image was actually the second shot of the night, the first one being this unknown star field below that I shot to test the tracking. It was a little difficult to dial-in a star to get a 3-star alignment on the mount, so I just went with seeing how long I could track with PHD2 Guiding at the same old settings I used with the TV-85 on a random star field. 8 sec exposures yielded too many rejected frames, so I went with 4 sec for this one.

Before the clouds came back and ruined my session, I was able to get 60×4 sec sub-images at the relatively high gain of 3108 of this open cluster in Gemini, called IC 2157:

Anyway, if I can get the tracking to get me up to 8 seconds of exposure, I will be able to shoot some of those tiny galaxies that my Televue TV-85 just can’t do justice to.

As promised, here is the 2-panel mosaic of the M35/NGC 2158 area. Not too bad, but the seeing for Dec 11 was poor and I might re-shoot the NGC 2158 side to get a better rendition.
Here’s the gaudy version that I turned up the contrast on with a strong curves boost:


I had in mind when starting this that I could get a mosaic going for M35 and its nearby companion, NGC 2158. So, I started on NGC 2158 first since it is the more interesting cluster. By the time I was finished, my window to shoot was just about over, so I moved on to something else and did not finish the mosaic.
What I did get came out OK for 8 second exposures. I will probably go back to it the next time I use the Rising Tech Sony IMX224 eyepiece cam. It is actually enjoyable watching SharpCap do live stacking with the short exposures. Reminds me of the old days when I was doing mostly planetary imaging. lol 🙂





Here is a roundup of objects I was able to see during my most recent Electronically Assisted Astronomy (EAA) observing session. These were taken in a Bortle Red zone and under a nearly full moon on Dec 1, 2017.

By luck I framed this one with M31 and the Cassiopeia region and got all the good nebulae that were in the area to boot. You can see the Heart and Soul Nebulae, the PacMan Nebula, emission nebula NGC 7822, and other smaller nebulae like the one near Gamma Cass. The Double Cluster is there along with lots of other open clusters.
It is not the best lens and I did do some distortion correction in PS. It was a little difficult to process since this was the first time I used the Astronomik CLS filter. Before, I had one light pollution filter and two cameras, so I finally got another one so they both have one. All I need now is a small mount for light loads like the setup I used here and I could get two cameras going at the same time. Yeah, buddy! 🙂

I took the very good Feb 2017 version of M45 and combined it with 3 other good images taken with the same scope as far back as 2011. I still have more that I can add to it, but for now this will do.
Not satisfied with the first version above, I worked up a darker version with more contrast and noise reduction.
